Marisa Müsing
Marisa Müsing (she/they) is a transdisciplinary artist, researcher and cybernymph exploring relationships between the body, digital identity and archaeological history, and expressing ethereal feminist ideals through digital and sculptural media. Their work explores blurred boundaries of the body, identity and digital space, fostering ethereal opportunities for growth.  

They are currently pursuing a PhD in Architectural Research at the Royal College of Art that reinvestigates Pompeiian frescoes through a queer cyberfeminist lens. 

Marisa has presented works at Royal Academy of Arts London, Salone del Mobile Milan, New York Design Week, Filet Space Gallery London, Nuit Blanche Toronto, Softer Digital Copenhagen and Maison et Objet Paris. They have been featured in Glitch Magazine, Hypebae, WGSN, Dezeen, Vogue, and the New York Times.

Marisa co-runs two design collectives, müsing-sellés (furniture & architecture) and mamumifi (objects & art)

Marisa is from Tkaronto/Toronto, and currently lives between London and Paris. 

contact
email: marisa.musing3@gmail.com
insta: marisamusing
CV: click here
indexdigitalphysical

Meet me by the Pixel Stream

multimedia work, with Grace Wardlaw, Xpace Cultural Centre, 2025

exhibition text, xpace cultural centre, 2025
Lily’s tears, glass and metal, 2025
Lapping the nectar puddle , glass, metal, 3D animation, 2025
I see myself in her, glass, aluminium, 3D animation, iphone, 2025
photo credits Grace Wardlaw.
Seed pods, glass, 2025
Goblin nymph, film still, 2025
I see myself in her, glass, aluminium, 3D animation, iphone, 2025
I see myself in her, glass, aluminium, 3D animation, iphone, 2025
exhibition text, xpace cultural centre, 2025

Meet me by the Pixel Stream explores topics of body identity, femininity and queerness through a multimedia installation. Inspired by the sapphic-coded fable “Goblin Market” (1862), the project is a translation from poetry to sculpture, creating a new sort of fable on the female body and its representation in a post-gender, digital world. Through the mediums of glass, metal and projected digital animation, the work aims to materialise how the feminine body and sexuality have been depicted through symbols and connections with the earth and water, imagining future body forms and environments as they connect to digital queer space. The work ties into concepts of alternative identities through digital landscapes, nature, ecofeminism, anthropomorphic seduction and transhumanism.

materials: metal, glass, 3D animations

presented at Xpace Cultural Centre, 2025
for the exhibition, I want you to see this, curated by Agnes Wong. 

At water’s edge, glass & metal, 2025
photo credits Alison Postma
Lily’s tears, glass & metal, 2025
photo credits Alison Postma
exhibition image, 2025
photo credits Alison Postma